There was one notable evening when I very nearly gave up on the whole project - 'I can't write music, I've forgotten how, I am pathetic and talentless and clearly deluded' - that kind of thing. I vented at my partner, the air was blue, then after a cup of milo and some calming words several helpful realisation were reached. (i) There is no point giving up now because it [writing music] will only get harder if you don't keep doing it. (ii) It wont seem so bad in the morning. How true.
I knew I wanted the piece to be in small sections, with the spaces between (notice a recurring theme?) being significant. I also wanted the piece to be about a process of de-cluttering and simplifying, each smaller section reflecting stages in the process. The image of a path of stepping stones came to mind - each stone with a shape and character of its own but part of a larger function. I scribbled in my note book
"... idea that transformation, change, growth, happens in the spaces between... kids grow in their sleep; the mind/subconscious at work when we sleep. The spaces are significant because this is where thought / reflection / awareness happens and this enables growth..."
And again I am drawn to the Japanese concept of 'Ma', particularly as it is reflected in Japanese stone gardens, such as Ryoanji in Kyoto , where the placement of stones is carefully judged, with equal attention to the spaces between the stones as well as the qualities of the stones themselves. I love this idea. So I think the piece is about the careful placing of musical moments in stillness and time. Which is what I wanted it to be all along.